Recently documentary filmmakers have been filming mass protests in the streets of Ukrainian cities, and now they themselves have to organize demonstrations in order to receive an opportunity to film. During the first years of Ukrainian independence, the production of chronicle and documentary films was cut to a minimum. The lack of financing or any state support whatsoever drove the veteran of Ukrainian documentary film, Israel Goldstein, to state: “The authorities are preventing us from filming because they are afraid that in several decades, the viewers of our films might ask: who was in power back then? Who put the people in such a state?” This film is one of the most radical in the genre ‘cinema about cinema: this is a film about the way that cinema ceased to exist.
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